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In a bid to bridge the gap between elitist art and the art for the common man, that is cinema, Osianama’s Womanhood festival has brought to life, feminine art form over the last 100 years of Indian art at Tao Art Gallery.
Credit: Varinder Chawla
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In a bid to bridge the gap between elitist art and the art for the common man, that is cinema, Osianama’s Womanhood festival has brought to life, feminine art form over the last 100 years of Indian art at Tao Art Gallery.
Credit: Varinder Chawla
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In a bid to bridge the gap between elitist art and the art for the common man, that is cinema, Osianama’s Womanhood festival has brought to life, feminine art form over the last 100 years of Indian art at Tao Art Gallery.
Credit: Varinder Chawla
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In a bid to bridge the gap between elitist art and the art for the common man, that is cinema, Osianama’s Womanhood festival has brought to life, feminine art form over the last 100 years of Indian art at Tao Art Gallery.
Credit: Varinder Chawla
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In a bid to bridge the gap between elitist art and the art for the common man, that is cinema, Osianama’s Womanhood festival has brought to life, feminine art form over the last 100 years of Indian art at Tao Art Gallery.
Credit: Varinder Chawla
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In a bid to bridge the gap between elitist art and the art for the common man, that is cinema, Osianama’s Womanhood festival has brought to life, feminine art form over the last 100 years of Indian art at Tao Art Gallery.
Credit: Varinder Chawla