Irada movie review roundup: Here's what critics have to say about Naseeruddin Shah and Arshad Warsi's film

Naseeruddin Shah and Arshad Warsi's movie Irada, which was released on Friday, February 17, has received mixed reviews from critics.

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Directed by Aparnaa Singh, the film explores the threat of eco-terrorism. It is the first thriller in Bollywood that highlights environmental issues. It revolves around Naseeruddin's character Parabjeet Walia, an army man, who finds out that his daughter is suffering from a terminal illness. 

After digging deeper into the cause of the mysterious disease, Walia learns that many people are dying of cancer because of contaminated water. He joins forces with Arshad's character, an intelligence officer, to expose the political leaders who ignore the health hazards of the common people.

Produced by Falguni Patel and Prince Soni, Irada also features Sagarika Ghatge, Divya Dutta and Sharad Kelkar.

Here are the opinions of some critics on the movie.

Meena Iyer of the Times of India said: "The film's attempt to educate the audience on the perils of chemical contamination, reverse boring and groundwater pollution that is a harsh reality around urban townships is half-baked. There is also a sub-plot of a journalist (Sagarika Ghatge) seeking revenge for her dead boyfriend. Even this track is really weak. If intention is everything, you may feel kindly towards Irada. Unfortunately when it comes to a celluloid experience, story-telling is prime. Here, the film falters."

Anna MM Vetticad of Firstpost said: "The basic theme is laudable no doubt, but Irada fails to expand the premise into a relatable flesh-and-blood story peopled by flesh-and-blood sufferers. If we view it purely for its worth as a documentary, the information it provides is sketchy. Irada(meaning: intent) is an opportunity lost to draw mass attention to a pressing concern. What a waste!"

Saibal Chattarjee of NDTV said: "It is easy to empathize with their crusade, but the film does not generate enough suspense and tension to make their investigation an edge-of-the-seat affair. Irada ends on a pat, preachy note, invoking Che Guevara, no less. Be that as it may, Irada is a film that we must all watch. It scores because its intentions are commendable and its message hits home."

Bryan Durham of DNA said: "Naseer, as always, is​ ​a joy to watch. Warsi as the cop is quite engaging. Films with social causes at its core work, but only if​ ​they manage to resonate with you in some way. This one doesn't, at least not to the degree you'd like it to."

Prasanna D Zore of Rediff.com said: "Every frame of the film builds up hope of a thriller, especially with Warsi and Shah matching each other's talent, but the director with her inept handling gets on your nerves. Blame it on the director for Irada's sloppy editing, the film fails to hold your undivided attention. The scenes and the plot are so loosely woven that the only saving grace of the film -- of course, apart from the two fine actors -- is its duration."